Tales of Bran Mak Morn (Serapis Classics) Read online

  Some instinct prompted him to ride toward the Tower. He knew he was near; but for the thick darkness he could have plainly seen its stark outline tusking the horizon. Even now he should be able to make it out dimly. An obscure, shuddersome premonition shook him and he spurred the stallion into swift canter.

  And suddenly Bran staggered in his saddle as from a physical impact, so stunning was the surprize of what met his gaze. The impregnable Tower of Trajan was no more! Bran’s astounded gaze rested on a gigantic pile of ruins —of shattered stone and crumbled granite, from which jutted the jagged and splintered ends of broken beams. At one corner of the tumbled heap one tower rose out of the waste of crumpled masonry, and it leaned drunkenly as if its foundations had been half-cut away.

  Bran dismounted and walked forward, dazed by bewilderment. The moat was filled in places by fallen stones and broken pieces of mortared wall. He crossed over and came among the ruins. Where, he knew, only a few hours before the flags had resounded to the martial tramp of iron-clad feet, and the walls had echoed to the clang of shields and the blast of the loud-throated trumpets, a horrific silence reigned.

  Almost under Bran’s feet, a broken shape writhed and groaned. The king bent down to the legionary who lay in a sticky red pool of his own blood. A single glance showed the Pict that the man, horribly crushed and shattered, was dying.

  Lifting the bloody head, Bran placed his flask to the pulped lips and the Roman instinctively drank deep, gulping through splintered teeth. In the dim starlight Bran saw his glazed eyes roll.

  “The walls fell,” muttered the dying man. “They crashed down like the skies falling on the day of doom. Ah Jove, the skies rained shards of granite and hailstones of marble!”

  “I have felt no earthquake shock,” Bran scowled, puzzled.

  “It was no earthquake,” muttered the Roman. “Before last dawn it began, the faint dim scratching and clawing far below the earth. We of the guard heard it—like rats burrowing, or like worms hollowing out the earth. Titus laughed at us, but all day long we heard it. Then at midnight the Tower quivered and seemed to settle—as if the foundations were being dug away—”

  A shudder shook Bran Mak Morn. The worms of the earth! Thousands of vermin digging like moles far below the castle, burrowing away the foundations —gods, the land must be honeycombed with tunnels and caverns— these creatures were even less human than he had thought—what ghastly shapes of darkness had he invoked to his aid?

  “What of Titus Sulla?” he asked, again holding the flask to the legionary’s lips; in that moment the dying Roman seemed to him almost like a brother.

  “Even as the Tower shuddered we heard a fearful scream from the governor’s chamber,” muttered the soldier. “We rushed there—as we broke down the door we heard his shrieks—they seemed to recede—into the bowels of the earth! We rushed in; the chamber was empty. His bloodstained sword lay on the floor; in the stone flags of the floor a black hole gaped. Then—the—towers—reeled—the—roof —broke;—through—a—storm—of— crashing—walls—I—crawled—”

  A strong convulsion shook the broken figure.

  “Lay me down, friend,” whispered the Roman. “I die.”

  He had ceased to breathe before Bran could comply. The Pict rose, mechanically cleansing his hands. He hastened from the spot, and as he galloped over the darkened fens, the weight of the accursed Black Stone under his cloak was as the weight of a foul nightmare on a mortal breast.

  As he approached the Ring, he saw an eery glow within, so that the gaunt stones stood etched like the ribs of a skeleton in which a witch-fire burns. The stallion snorted and reared as Bran tied him to one of the menhirs. Carrying the Stone he strode into the grisly circle and saw Atla standing beside the altar, one hand on her hip, her sinuous body swaying in a serpentine manner. The altar glowed all over with ghastly light and Bran knew someone, probably Atla, had rubbed it with phosphorus from some dank swamp or quagmire.

  He strode forward and whipping his cloak from about the Stone, flung the accursed thing on to the altar.

  “I have fulfilled my part of the contract,” he growled.

  “And They, theirs,” she retorted. “Look!—They come!”

  He wheeled, his hand instinctively dropping to his sword. Outside the Ring the great stallion screamed savagely and reared against his tether. The night wind moaned through the waving grass and an abhorrent soft hissing mingled with it. Between the menhirs flowed a dark tide of shadows, unstable and chaotic. The Ring filled with glittering eyes which hovered beyond the dim illusive circle of illumination cast by the phosphorescent altar. Somewhere in the darkness a human voice tittered and gibbered idiotically. Bran stiffened, the shadows of a horror clawing at his soul.

  He strained his eyes, trying to make out the shapes of those who ringed him. But he glimpsed only billowing masses of shadow which heaved and writhed and squirmed with almost fluid consistency.

  “Let them make good their bargain!” he exclaimed angrily.

  “Then see, oh king!” cried Atla in a voice of piercing mockery.

  There was a stir, a seething in the writhing shadows, and from the darkness crept, like a four-legged animal, a human shape that fell down and groveled at Bran’s feet and writhed and mowed, and lifting a death’s-head, howled like a dying dog. In the ghastly light, Bran, soul-shaken, saw the blank glassy eyes, the bloodless features, the loose, writhing, froth-covered lips of sheer lunacy—gods, was this Titus Sulla, the proud lord of life and death in Eboracum’s proud city?

  Bran bared his sword.

  “I had thought to give this stroke in vengeance,” he said somberly. “I give it in mercy—Vale Cosar!”

  The steel flashed in the eery light and Sulla’s head rolled to the foot of the glowing altar, where it lay staring up at the shadowed sky.

  “They harmed him not!” Atla’s hateful laugh slashed the sick silence. “It was what he saw and came to know that broke his brain! Like all his heavy- footed race, he knew nothing of the secrets of this ancient land. This night he has been dragged through the deepest pits of Hell, where even you might have blenched!”

  “Well for the Romans that they know not the secrets of this accursed land!” Bran roared, maddened, “with its monster-haunted meres, its foul witch- women, and its lost caverns and subterranean realms where spawn in the darkness shapes of Hell!”

  “Are they more foul than a mortal who seeks their aid?” cried Atla with a shriek of fearful mirth. “Give them their Black Stone!”

  A cataclysmic loathing shook Bran’s soul with red fury.

  “Aye, take your cursed Stone!” he roared, snatching it from the altar and dashing it among the shadows with such savagery that bones snapped under its impact. A hurried babel of grisly tongues rose and the shadows heaved in turmoil. One segment of the mass detached itself for an instant and Bran cried out in fierce revulsion, though he caught only a fleeting glimpse of the thing, had only a brief impression of a broad strangely flattened head, pendulous writhing lips that bared curved pointed fangs, and a hideously misshapen, dwarfish body that seemed—mottled—all set off by those unwinking reptilian eyes. Gods!—the myths had prepared him for horror in human aspect, horror induced by bestial visage and stunted deformity—but this was the horror of nightmare and the night.

  “Go back to Hell and take your idol with you!” he yelled, brandishing his clenched fists to the skies, as the thick shadows receded, flowing back and away from him like the foul waters of some black flood. “Your ancestors were men, though strange and monstrous—but gods, ye have become in ghastly fact what my people called ye in scorn! Worms of the earth, back into your holes and burrows! Ye foul the air and leave on the clean earth the slime of the serpents ye have become! Gonar was right—there are shapes too foul to use even against Rome!”

  He sprang from the Ring as a man flees the touch of a coiling snake, and tore the stallion free. At his elbow Atla was shrieking with fearful laughter, all human attributes dropped from her like a
cloak in the night.

  “King of Pictland!” she cried, “King of fools! Do you blench at so small a thing? Stay and let me show you real fruits of the pits! Ha! ha! ha! Run, fool, run! But you are stained with the taint—you have called them forth and they will remember! And in their own time they will come to you again!”

  He yelled a wordless curse and struck her savagely in the mouth with his open hand. She staggered, blood starting from her lips, but her fiendish laughter only rose higher.

  Bran leaped into the saddle, wild for the clean heather and the cold blue hills of the north where he could plunge his sword into clean slaughter and his sickened soul into the red maelstrom of battle, and forget the horror which lurked below the fens of the west. He gave the frantic stallion the rein, and rode through the night like a hunted ghost, until the hellish laughter of the howling were-woman died out in the darkness behind.

  THE CHILDREN OF THE NIGHT

  ~

  THERE WERE, I REMEMBER, SIX of us in Conrad’s bizarrely fashioned study, with its queer relics from all over the world and its long rows of books which ranged from the Mandrake Press edition of Boccaccio to a Missale Romanum, bound in clasped oak boards and printed in Venice, 1740. Clemants and Professor Kirowan had just engaged in a somewhat testy anthropological argument: Clemants upholding the theory of a separate, distinct Alpine race, while the professor maintained that this so-called race was merely a deviation from an original Aryan stock—possibly the result of an admixture between the southern or Mediterranean races and the Nordic people.

  “And how,” asked Clemants, “do you account for their brachycephalicism? The Mediterraneans were as long-headed as the Aryans: would admixture between these dolichocephalic peoples produce a broad-headed intermediate type?”

  “Special conditions might bring about a change in an originally long- headed race,” snapped Kirowan. “Boaz has demonstrated, for instance, that in the case of immigrants to America, skull formations often change in one generation. And Flinders Petrie has shown that the Lombards changed from a long- headed to a round-headed race in a few centuries.”

  “But what caused these changes?”

  “Much is yet unknown to science,” answered Kirowan, “and we need not be dogmatic. No one knows, as yet, why people of British and Irish ancestry tend to grow unusually tall in the Darling district of Australia—Cornstalks, as they are called—or why people of such descent generally have thinner jaw-structures after a few generations in New England. The universe is full of the unexplainable.”

  “And therefore the uninteresting, according to Machen,” laughed Taverel.

  Conrad shook his head. “I must disagree. To me, the unknowable is most tantalizingly fascinating.”

  “Which accounts, no doubt, for all the works on witchcraft and demonology I see on your shelves,” said Ketrick, with a wave of his hand toward the rows of books.

  And let me speak of Ketrick. Each of the six of us was of the same breed —that is to say, a Briton or an American of British descent. By British, I include all natural inhabitants of the British Isles. We represented various strains of English and Celtic blood, but basically, these strains are the same after all. But Ketrick: to me the man always seemed strangely alien. It was in his eyes that this difference showed externally. They were a sort of amber, almost yellow, and slightly oblique. At times, when one looked at his face from certain angles, they seemed to slant like a Chinaman’s.

  Others than I had noticed this feature, so unusual in a man of pure Anglo- Saxon descent. The usual myths ascribing his slanted eyes to some pre-natal influence had been mooted about, and I remember Professor Hendrik Brooler once remarked that Ketrick was undoubtedly an atavism, representing a reversion of type to some dim and distant ancestor of Mongolian blood—a sort of freak reversion, since none of his family showed such traces.

  But Ketrick comes of the Welsh branch of the Cetrics of Sussex, and his lineage is set down in the Book of Peers. There you may read the line of his ancestry, which extends unbroken to the days of Canute. No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? For Ketrick is the modern form of Cedric, and though that branch fled into Wales before the invasion of the Danes, its male heirs consistently married with English families on the border marches, and it remains a pure line of the powerful Sussex Cedrics—almost pure Saxon. As for the man himself, this defect of his eyes, if it can be called a defect, is his only abnormality, except for a slight and occasional lisping of speech. He is highly intellectual and a good companion except for a slight aloofness and a rather callous indifference which may serve to mask an extremely sensitive nature.

  Referring to his remark, I said with a laugh: “Conrad pursues the obscure and mystic as some men pursue romance; his shelves throng with delightful nightmares of every variety.”

  Our host nodded. “You’ll find there a number of delectable dishes—Machen, Poe, Blackwood, Maturin—look, there’s a rare feast— Horrid Mysteries, by the Marquis of Grosse—the real Eighteenth Century edition.”

  Taverel scanned the shelves. “Weird fiction seems to vie with works on witchcraft, voodoo and dark magic.”

  True; historians and chronicles are often dull; tale-weavers never —the masters, I mean. A voodoo sacrifice can be described in such a dull manner as to take all the real fantasy out of it, and leave it merely a sordid murder. I will admit that few writers of fiction touch the true heights of horror—most of their stuff is too concrete, given too much earthly shape and dimensions. But in such tales as Poe’s Fall of the House of Usher, Machen’s Black Seal and Lovecraft’s Call of Cthulhu —the three master horror-tales, to my mind—the reader is borne into dark and outer realms of imagination.

  “But look there,” he continued, “there, sandwiched between that nightmare of Huysmans’, and Walpole’s Castle of Otranto —Von Junzt’s Nameless Cults. There’s a book to keep you awake at night!”

  “I’ve read it,” said Taverel, “and I’m convinced the man is mad. His work is like the conversation of a maniac—it runs with startling clarity for awhile, then suddenly merges into vagueness and disconnected ramblings.”

  Conrad shook his head. “Have you ever thought that perhaps it is his very sanity that causes him to write in that fashion? What if he dares not put on paper all he knows? What if his vague suppositions are dark and mysterious hints, keys to the puzzle, to those who know?”

  “Bosh!” This from Kirowan. “Are you intimating that any of the nightmare cults referred to by Von Junzt survive to this day—if they ever existed save in the hag-ridden brain of a lunatic poet and philosopher?”

  “Not he alone used hidden meanings,” answered Conrad. “If you will scan various works of certain great poets you may find double meanings. Men have stumbled onto cosmic secrets in the past and given a hint of them to the world in cryptic words. Do you remember Von Junzt’s hints of ‘a city in the waste’? What do you think of Flecker’s line:”

  ‘Pass not beneath! Men say there blows in stony deserts still a rose

  But with no scarlet to her leaf—and from whose heart no perfume flows.’

  “Men may stumble upon secret things, but Von Junzt dipped deep into forbidden mysteries. He was one of the few men, for instance, who could read the Necronomicon in the original Greek translation.”

  Taverel shrugged his shoulders, and Professor Kirowan, though he snorted and puffed viciously at his pipe, made no direct reply; for he, as well as Conrad, had delved into the Latin version of the book, and had found there things not even a cold-blooded scientist could answer or refute.

  “Well,” he said presently, “suppose we admit the former existence of cults revolving about such nameless and ghastly gods and entities as Cthulhu, Yog Sothoth, Tsathoggua, Gol-goroth, and the like, I can not find it in my mind to believe that survivals of such cults lurk in the dark corners of the world today.”

  To our surprise Clemants answered. He wa
s a tall, lean man, silent almost to the point of taciturnity, and his fierce struggles with poverty in his youth had lined his face beyond his years. Like many another artist, he lived a distinctly dual literary life, his swashbuckling novels furnishing him a generous income, and his editorial position on The Cloven Hoof affording him full artistic expression. The Cloven Hoof was a poetry magazine whose bizarre contents had often aroused the shocked interest of the conservative critics.

  “You remember Von Junzt makes mention of a so-called Bran cult,” said Clemants, stuffing his pipe-bowl with a peculiarly villainous brand of shag tobacco. “I think I heard you and Taverel discussing it once.”

  “As I gather from his hints,” snapped Kirowan, “Von Junzt includes this particular cult among those still in existence. Absurd.”

  Again Clemants shook his head. “When I was a boy working my way through a certain university, I had for roommate a lad as poor and ambitious as I. If I told you his name, it would startle you. Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type.

  “This is in strictest confidence, you understand. But my roommate talked in his sleep. I began to listen and put his disjointed mumbling together. And in his mutterings I first heard of the ancient cult hinted at by Von Junzt; of the king who rules the Dark Empire, which was a revival of an older, darker empire dating back into the Stone Age; and of the great, nameless cavern where stands the Dark Man—the image of Bran Mak Morn, carved in his likeness by a master-hand while the great king yet lived, and to which each worshipper of Bran makes a pilgrimage once in his or her lifetime. Yes, that cult lives today in the descendants of Bran’s people—a silent, unknown current it flows on in the great ocean of life, waiting for the stone image of the great Bran to breathe and move with sudden life, and come from the great cavern to rebuild their lost empire.”