Moon of Skulls Page 22
“‘Compare each fleeting kingdom with the long dreamy reign of the ancient pre-Semitic Sumerians! We think the Minoan Age of Crete is a long time back, but the Sumerian empire of Erech was already beginning to decay before the rising power of Sumerian Nippur, before the ancestors of the Cretans had emerged from the Neolithic Age. The Sumerians had something the succeeding Hamites, Semites and Aryans lacked. They were stable. They grew slowly and if left alone would have decayed as slowly as these fellows are decaying. Still and all, I note these chaps have made one advancement — notice their weapons?
“‘Old Sumer was in the Bronze Age. The Assyrians were the first to use iron for anything besides ornaments. But these lads have learned to work iron — probably a matter of necessity. No copper hereabouts but plenty of iron ore, I daresay.’
“‘But the mystery of Sumer still remains,’ Conrad broke in. ‘Who are they? Whence did they come? Some authorities maintain they were of Dravidian origin, akin to the Basques —’
“‘It won’t stick, me lad,’ said I. ‘Even allowing for possible admixture of Aryan or Turanian blood in the Dravidian descendants, you can see at a glance these people are not of the same race.’
“‘But their language —’ Conrad began arguing, which is a fair way to pass the time while you’re waiting to be put in the cooking-pot, but doesn’t prove much except to strengthen your own original ideas.
“Naluna came again about sunset with food, and this time she sat down by Conrad and watched him eat. Seeing her sitting thus, elbows on knees and chin on hands, devouring him with her large, lustrous dark eyes, I said to the professor in English, so she wouldn’t understand: ‘The girl’s badly smitten with you; play up to her. She’s our only chance.’
“He blushed like a blooming school girl. ‘I’ve a fiancée back in the States.’
“‘Blow your fiancée,’ I said. ‘Is it she that’s going to keep the bally heads on our blightin’ shoulders? I tell you this girl’s silly over you. Ask her what they’re going to do with us.’
“He did so and Naluna said: ‘Your fate lies in the lap of El-lil.’
“‘And the brain of Sostoras,’ I muttered. ‘Naluna, what was done with the guns that were taken from us?’
“She replied that they were hung in the temple of El-lil as trophies of victory. None of the Sumerians was aware of their purpose. I asked her if the natives they sometimes fought had never used guns and she said no. I could easily believe that, seeing that there are many wild tribes in those hinterlands who’ve scarcely seen a single white man. But it seemed incredible that some of the Arabs who’ve raided back and forth across Somaliland for a thousand years hadn’t stumbled onto Eridu and shot it up. But it turned out to be true — just one of those peculiar quirks and back-eddies in events like the wolves and wildcats you still find in New York state, or those queer pre-Aryan peoples you come onto in small communities in the hills of Connaught and Galway. I’m certain that big slave raids had passed within a few miles of Eridu, yet the Arabs had never found it and impressed on them the meaning of firearms.
“So I told Conrad: ‘Play up to her, you chump! If you can persuade her to slip us a gun, we’ve a sporting chance.’
“So Conrad took heart and began talking to Naluna in a nervous sort of manner. Just how he’d have come out, I can’t say, for he was little of the Don Juan, but Naluna snuggled up to him, much to his embarrassment, listening to his stumbling Somali with her soul in her eyes. Love blossoms suddenly and unexpectedly in the East.
“However, a peremptory voice outside our cell made Naluna jump half out of her skin and sent her scurrying, but as she went she pressed Conrad’s hand and whispered something in his ear that we couldn’t understand, but it sounded highly passionate.
“Shortly after she had left, the cell opened again and there stood a file of silent dark-skinned warriors. A sort of chief, whom the rest addressed as Gorat, motioned us to come out. Then down a long, dim, colonnaded corridor we went, in perfect silence except for the soft scruff of their sandals and the tramp of our boots on the tiling. An occasional torch flaring on the walls or in a niche of the columns lighted the way vaguely. At last we came out into the empty streets of the silent city. No sentry paced the streets or the walls, no lights showed from inside the flat-topped houses. It was like walking a street in a ghost city. Whether every night in Eridu was like that or whether the people kept indoors because it was a special and awesome occasion, I haven’t an idea.
“We went on down the streets toward the lake side of the town. There we passed through a small gate in the wall — over which, I noted with a slight shudder, a grinning skull was carved — and found ourselves outside the city. A broad flight of steps led down to the water’s edge and the spears at our backs guided us down them. There a boat waited, a strange high-prowed affair whose prototype must have plied the Persian Gulf in the days of Old Eridu.
“Four black men rested on their oars, and when they opened their mouths I saw their tongues had been cut out. We were taken into the boat, our guards got in and we started a strange journey. Out on the silent lake we moved like a dream, whose silence was broken only by the low rippling of the long, slim, golden-worked oars through the water. The stars flecked the deep blue gulf of the lake with silver points. I looked back and saw the silent city of Eridu sleeping beneath the stars. I looked ahead and saw the great dark bulk of the temple loom against the stars. The naked black mutes pulled the shining oars and the silent warriors sat before and behind us with their spears, helms and shields. It was like the dream of some fabulous city of Haroun-al-Raschid’s time, or of Sulieman-ben-Daoud’s, and I thought how blooming incongruous Conrad and I looked in that setting, with our boots and dingy, tattered khakis.
“We landed on the island and I saw it was girdled with masonry — built up from the water’s edge in broad flights of steps which circled the entire island. The whole seemed older, even, than the city — the Sumerians must have built it when they first found the valley, before they began on the city itself.
“We went up the steps, that were worn deep by countless feet, to a huge set of iron doors in the temple, and here Gorat laid down his spear and shield, dropped on his belly and knocked his helmed head on the great sill. Some one must have been watching from a loophole, for from the top of the tower sounded one deep golden note and the doors swung silently open to disclose a dim, torch-lighted entrance. Gorat rose and led the way, we following with those confounded spears pricking our backs.
“We mounted a flight of stairs and came onto a series of galleries built on the inside of each tier and winding around and up. Looking up, it seemed much higher and bigger than it had seemed from without, and the vague, half-lighted gloom, the silence and the mystery gave me the shudders. Conrad’s face gleamed white in the semi-darkness. The shadows of past ages crowded in upon us, chaotic and horrific, and I felt as though the ghosts of all the priests and victims who had walked those galleries for four thousand years were keeping pace with us. The vast wings of dark, forgotten gods hovered over that hideous pile of antiquity.
“We came out on the highest tier. There were three circles of tall columns, one inside the other — and I want to say that for columns built of sun-dried brick, these were curiously symmetrical. But there was none of the grace and open beauty of, say, Greek architecture. This was grim, sullen, monstrous — something like the Egyptian, not quite so massive but even more formidable in starkness — an architecture symbolizing an age when men were still in the dawn-shadows of Creation and dreamed of monstrous gods.
“Over the inner circle of columns was a curving roof — almost a dome. How they built it, or how they came to anticipate the Roman builders by so many ages, I can’t say, for it was a startling departure from the rest of their architectural style, but there it was. And from this dome-like roof hung a great round shining thing that caught the starlight in a silver net. I knew then what we had been following for so many mad miles! It was a great gong — the Voice of
El-lil. It looked like jade but I’m not sure to this day. But whatever it was, it was the symbol on which the faith and cult of the Sumerians hung — the symbol of the god-head itself. And I know Naluna was right when she told us that her ancestors brought it with them on that long, grueling trek, ages ago, when they fled before Sargon’s wild riders. And how many eons before that dim time must it have hung in El-lil’s temple in Nippur, Erech or Old Eridu, booming out its mellow threat or promise over the dreamy valley of the Euphrates, or across the green foam of the Persian Gulf!
“They stood us just within the first ring of columns, and out of the shadows somewhere, looking like a shadow from the past himself, came old Sostoras, the priest-king of Eridu. He was clad in a long robe of green, covered with scales like a snake’s hide, and it rippled and shimmered with every step he took. On his head he wore a head-piece of waving plumes and in his hand he held a long-shafted golden mallet.
“He tapped the gong lightly and golden waves of sound flowed over us like a wave, suffocating us in its exotic sweetness. And then Naluna came. I never knew if she came from behind the columns or up through some trap floor. One instant the space before the gong was bare, the next she was dancing like a moonbeam on a pool. She was clad in some light, shimmery stuff that barely veiled her sinuous body and lithe limbs. And she danced before Sostoras and the Voice of El-lil as women of her breed had danced in old Sumer four thousand years ago.
“I can’t begin to describe that dance. It made me freeze and tremble and burn inside. I heard Conrad’s breath come in gasps and he shivered like a reed in the wind. From somewhere sounded music, that was old when Babylon was young, music as elemental as the fire in a tigress’ eyes, and as soulless as an African midnight. And Naluna danced. Her dancing was a whirl of fire and wind and passion and all elemental forces. From all basic, primal fundamentals she drew underlying principles and combined them in one spin-wheel of motion. She narrowed the universe to a dagger-point of meaning and her flying feet and shimmering body wove out the mazes of that one central Thought. Her dancing stunned, exalted, maddened and hypnotized.
“As she whirled and spun, she was the elemental Essence, one and a part of all powerful impulses and moving or sleeping powers — the sun, the moon, the stars, the blind groping of hidden roots to light, the fire from the furnace, the sparks from the anvil, the breath of the fawn, the talons of the eagle. Naluna danced, and her dancing was Time and Eternity, the urge of Creation and the urge of Death; birth and dissolution in one, age and infancy combined.
“My dazed mind refused to retain more impressions; the girl merged into a whirling flicker of white fire before my dizzy eyes; then Sostoras struck one light note on the Voice and she fell at his feet, a quivering white shadow. The moon was just beginning to glow over the cliffs to the East.
“The warriors seized Conrad and me, and bound me to one of the outer columns. Him they dragged to the inner circle and bound to a column directly in front of the great gong. And I saw Naluna, white in the growing glow, gaze drawnly at him, then shoot a glance full of meaning at me, as she faded from sight among the dark sullen columns.
“Old Sostoras made a motion and from the shadows came a wizened black slave who looked incredibly old. He had the withered features and vacant stare of a deaf-mute, and the priest-king handed the golden mallet to him. Then Sostoras fell back and stood beside me, while Gorat bowed and stepped back a pace and the warriors likewise bowed and backed still farther away. In fact they seemed most blooming anxious to get as far away from that sinister ring of columns as they could.
“There was a tense moment of waiting. I looked out across the lake at the high, sullen cliffs that girt the valley, at the silent city lying beneath the rising moon. It was like a dead city.
The whole scene was most unreal, as if Conrad and I had been transported to another planet or back into a dead and forgotten age. Then the black mute struck the gong.
“At first it was a low, mellow whisper that flowed out from under the black man’s steady mallet. But it swiftly grew in intensity. The sustained, increasing sound became nerve-racking — it grew unbearable. It was more than mere sound. The mute evoked a quality of vibration that entered into every nerve and racked it apart. It grew louder and louder until I felt that the most desirable thing in the world was complete deafness, to be like that blank-eyed mute who neither heard nor felt the perdition of sound he was creating. And yet I saw sweat beading his ape-like brow. Surely some thunder of that brain-shattering cataclysm re-echoed in his own soul. El-lil spoke to us and death was in his voice. Surely, if one of the terrible, black gods of past ages could speak, he would speak in just such tongue! There was neither mercy, pity nor weakness in its roar. It was the assurance of a cannibal god to whom mankind was but a plaything and a puppet to dance on his string.
“Sound can grow too deep, too shrill or too loud for the human ear to record. Not so with the Voice of El-lil, which had its creation in some inhuman age when dark wizards knew how to rack brain, body and soul apart. Its depth was unbearable, its volume was unbearable, yet ear and soul were keenly alive to its resonance and did not grow mercifully numb and dulled. And its terrible sweetness was beyond human endurance; it suffocated us in a smothering wave of sound that yet was barbed with golden fangs. I gasped and struggled in physical agony. Behind me I was aware that even old Sostoras had his hands over his ears, and Gorat groveled on the floor, grinding his face into the bricks.
“And if it so affected me, who was just within the magic circle of columns, and those Sumerians who were outside the circle, what was it doing to Conrad, who was inside the inner ring and beneath that domed roof that intensified every note?
“Till the day he dies Conrad will never be closer to madness and death than he was then. He writhed in his bonds like a snake with a broken back; his face was horribly contorted, his eyes distended, and foam flecked his livid lips. But in that hell of golden, agonizing sound I could hear nothing — I could only see his gaping mouth and his frothy, flaccid lips, loose and writhing like an imbecile’s. But I sensed he was howling like a dying dog.
“Oh, the sacrificial dagger of the Semites was merciful. Even Moloch’s lurid furnace was easier than the death promised by this rending and ripping vibration that armed sound waves with venomed talons. I felt my own brain was brittle as frozen glass. I knew that a few seconds more of that torture and Conrad’s brain would shatter like a crystal goblet and he would die in the black raving of utter madness. And then something snapped me back from the mazes I’d gotten into. It was the fierce grasp of a small hand on mine, behind the column to which I was bound. I felt a tug at my cords as if a knife edge was being passed along them, and my hands were free. I felt something pressed into my hand and a fierce exultation surged through me. I’d recognize the familiar checkered grip of my Webley .44 in a thousand!
“I acted in a flash that took the whole gang off guard. I lunged away from the column and dropped the black mute with a bullet through his brain, wheeled and shot old Sostoras through the belly. He went down, spewing blood, and I crashed a volley square into the stunned ranks of the soldiers. At that range I couldn’t miss. Three of them dropped and the rest woke up and scattered like a flock of birds. In a second the place was empty except for Conrad, Naluna and me, and the men on the floor. It was like a dream, the echoes from the shots still crashing, and the acrid scent of powder and blood knifing the air.
“The girl cut Conrad loose and he fell on the floor and yammered like a dying imbecile. I shook him but he had a wild glare in his eyes and was frothing like a mad dog, so I dragged him up, shoved an arm under him and started for the stair. We weren’t out of the mess yet, by a long shot. Down those wide, winding, dark galleries we went, expecting any minute to be ambushed, but the chaps must have still been in a bad funk, because we got out of that hellish temple without any interference. Outside the iron portals Conrad collapsed and I tried to talk to him, but he could neither hear nor speak. I turned to Naluna.
“Her eyes flashed in the moonlight. ‘I have not defied my people and my god and betrayed my cult and my race for naught! I stole the weapon of smoke and flame, and freed you, did I not? I love him and I will not lose him now!’
“She darted into the temple and was out almost instantly with a jug of wine. She claimed it had magical powers. I don’t believe it. I think Conrad simply was suffering from a sort of shell-shock from close proximity to that fearful noise and that lake water would have done as well as the wine. But Naluna poured some wine between his lips and emptied some over his head, and soon he groaned and cursed.
“‘See!’ she cried triumphantly, ‘the magic wine has lifted the spell El-lil put on him!’ And she flung her arms around his neck and kissed him vigorously.
“‘My God, Bill,’ he groaned, sitting up and holding his head, ‘what kind of a nightmare is this?’
“‘Can you walk, old chap?’ I asked. ‘I think we’ve stirred up a bloomin’ hornet’s nest and we’d best leg it out of here.’
“‘I’ll try.’ He staggered up, Naluna helping him. I heard a sinister rustle and whispering in the black mouth of the temple and I judged the warriors and priests inside were working up their nerve to rush us. We made it down the steps in a great hurry to where lay the boat that had brought us to the island. Not even the black rowers were there. An ax and shield lay in it and I seized the ax and knocked holes in the bottoms of the other boats which were tied near it.